Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury's ' "Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est" was released on its scheduled release date, March 18, 2002. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi Gloria by Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury. The song's track number on the album is #29 out of 30 tracks. In terms of popularity, Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est is currently average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est being at 93 テンポ, the half-time would be 46 テンポ with a double-time of 186 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Panis Angelicus, Op.12/V | César Franck, Luciano Pavarotti, Wandsworth School Boys Choir, National Philharmonic Orchestra, Kurt Herbert Adler | A Major | 2 | 11B | 75 BPM | ||
The Holly and the Ivy (Arr. Walford Davies) | Traditional, Sir David Willcocks, Choir of King's College, Cambridge | G Major | 0 | 9B | 87 BPM | ||
Concerto grosso in D, Op.6, No.1: 1. Largo | Arcangelo Corelli, The English Concert, Trevor Pinnock | A♭ Major | 1 | 4B | 83 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: X. Sicut erat in principio | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | A♭ Major | 3 | 4B | 110 BPM | ||
The Nutcracker, Op. 71, Act II, Scene XV: Dance of the Sugar-Plum Fairy | The City of Prague Philharmonic Orchestra, Richard Hein | E Minor | 1 | 9A | 116 BPM | ||
O taste and see | Ralph Vaughan Williams, Mary Seers, The Cambridge Singers, John Rutter | F♯ Major | 0 | 2B | 85 BPM | ||
The Dettingen Te Deum: V. The Glorious Company Of th'Apostles | George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D Major | 1 | 10B | 149 BPM | ||
Messiah / Part 1: "And The Glory Of The Lord" | George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
Handel: Messiah, HWV 56, Pt. 1, Scene 1: Chorus. "And the Glory, the Glory of the Lord" | George Frideric Handel, Sir David Willcocks, Choir of King's College, Cambridge, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 181 BPM | ||
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Aria: "Heute noch, lieber Vater" | Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, David Thomas, Academy of Ancient Music, Christopher Hogwood | G Major | 8 | 9B | 83 BPM |