George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood's 'Messiah / Part 1: "And The Glory Of The Lord"' came out on January 1, 1980. The duration of Messiah / Part 1: "And The Glory Of The Lord" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Messiah / Part 1: "And The Glory Of The Lord"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Judith Nelson, Emma Kirkby, Carolyn Watkinson, Paul Elliott, David Thomas, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood's "Handel: Messiah" album is number 3 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah / Part 1: "And The Glory Of The Lord" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah / Part 1: "And The Glory Of The Lord" by George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Immortal love for ever full | Jeremiah Clarke, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
O Praise the Lord | Adrian Batten, Choir of King's College, Cambridge, Boris Ord | G Major | 0 | 9B | 122 BPM | ||
Magnificat: VII. Gloria Patri | John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
Magnificat in D Major, BWV 243: XII. Chorus: "Gloria Patri" | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | D Major | 3 | 10B | 173 BPM | ||
Ecce Homo (Theme from Mr Bean) | Howard Goodall, Christ Church Cathedral Choir, Oxford, David Goode, Stephen Darlington | C Major | 1 | 8B | 115 BPM | ||
Concerto Grosso in G Minor, Op. 8, No. 6: II. Largo | Giuseppe Torelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 2 | 6B | 121 BPM | ||
Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Major | 2 | 8B | 96 BPM | ||
Ave Maria, gratia plena… Virgo serena | Josquin des Prez, The Cambridge Singers, John Rutter | C Major | 0 | 8B | 80 BPM | ||
Mass In B Minor, BWV 232 / Kyrie: Christe eleison | Johann Sebastian Bach, Lynne Dawson, Carol Hall, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 71 BPM | ||
Oratorio de Noël, Op. 12: No. 2 Et Pastores erant; Gloria | Camille Saint-Saëns, Antonia Bourvé, Marcus Ullmann, Sabine Czinczel, Jens Hamann, Romano Giefer, Les Favorites, Vocalensemble Rastatt, Holger Speck | B Major | 2 | 1B | 82 BPM |