"Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 6, Polonaise" by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks was released on January 1, 2016. The duration of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 6, Polonaise is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 6, Polonaise's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 1 out of 25. On top of that, Germany appears to be the country where this track was created. Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 6, Polonaise is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 6, Polonaise by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ウィーンの音楽時計 〜組曲「ハーリー・ヤーノシュ」から〜 | Kazuo Yamada, Japan Philharmonic Orchestra | G Major | 1 | 9B | 85 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1891 Vienna Version, Ed. G. Brosche): II. Adagio | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | C Minor | 1 | 5A | 131 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & Trio II. Molto più vivace | Robert Schumann, Dresdner Philharmonie, Marek Janowski | E Major | 2 | 12B | 97 BPM | ||
Alcázar III | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | G Major | 1 | 9B | 125 BPM | ||
Segunda visión | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 81 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Indiana Jones and the Last Crusade: Scherzo for Motorcycle and Orchestra | Danish National Symphony Orchestra, Christian Schumann | D Minor | 5 | 7A | 87 BPM | ||
Practical Exercises for Beginners, Op. 599: No. 36 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM |