"Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & Trio II. Molto più vivace" by Robert Schumann, Dresdner Philharmonie, Marek Janowski was released on April 5, 2024. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & Trio II. Molto più vivace is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Schumann: Complete Symphonies". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & Trio II. Molto più vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace - Trio I & Trio II. Molto più vivace by Robert Schumann, Dresdner Philharmonie, Marek Janowski having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Fantasia for Piano in D Minor, K. 397 | Wolfgang Amadeus Mozart, Cyprien Katsaris | E Minor | 0 | 9A | 80 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Impromptu in G-Flat Major, Op. 90, No. 3: Andante | Franz Schubert, Vladimir Horowitz | F♯ Major | 0 | 2B | 65 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM |