"Accelerationen Walzer, Op. 234" by Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk was released on January 1, 2009. Since Accelerationen Walzer, Op. 234 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vienna Volksoper Orchestra, Peter Falk's "Great Strauss Waltzes, Polkas & Marches: Peter Falk & The Viennese Folk Opera Orchestra" album is number 1 out of 29. On top of that, United States appears to be the country where this track was created. The popularity of Accelerationen Walzer, Op. 234 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Accelerationen Walzer, Op. 234 by Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk to be Presto (very, very fast) because the track has a tempo of 184 テンポ, a half-time of 92テンポ, and a double-time of 368 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | E Major | 1 | 12B | 131 BPM | ||
Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Abdelazer: Rondeau | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 66 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | ||
Schatz-walzer, Op. 418: Der Zigeunerbaron: Schatz-walzer (Treasure Waltz), Op. 418 | Strauss Festival Orchestra, Johann Strauss II | G Major | 1 | 9B | 97 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM |