"Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando" by Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner was released on December 8, 2023. With this song being about 5 minutes long, at 5:17, "Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando" by Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 16 in Dvořák: Slavonic Dances by Antonín Dvořák, Tomáš Brauner, Prague Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Slavonic Dances, Series I., Op. 46, B. 83: II. in E minor. Allegretto scherzando by Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Cello Concerto in E Minor, RV 409: II. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 145 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Bagatelles, Op. 47, B. 79: No. 4 in E Major, Canon. Andante con moto | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon | E Major | 1 | 12B | 135 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta | B Minor | 1 | 10A | 114 BPM |