Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato)

Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta
Dvorák: Cello Concerto / Strauss, R.: Don Quixote
12:04 2003年1月1日
テンポ
114
キー
B Minor
キャメロットミュージックキー
10A

リンクを埋め込む

共有

Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) - Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta 情報

音響性
93%
ダンサビリティ
27%
エネルギー
13%
手段性
85%
活気
75%
ラウドネス
64%
話し言葉
5%
価数
9%
人気
ラウドネス
-21.642 dB

まとめ

"Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato)" by Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta was released on January 1, 2003. Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) appears to be safe for all ages as it is not explicit. The song is number 4 out of 18 in Dvorák: Cello Concerto / Strauss, R.: Don Quixote by Mischa Maisky, Berliner Philharmoniker, Zubin Mehta. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) テンポ

The tempo marking of Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) by Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) キー

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Rhapsody On A Theme Of Paganini, Op.43: Variation 23. L'istesso tempo by Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinRhapsody On A Theme Of Paganini, Op.43: Variation 23. L'istesso tempoSergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinB♭ Major46B82 BPM
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento by Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard BernsteinPiano Concerto No. 1 in C Minor, Op. 35: II. LentoDmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard BernsteinG Major29B124 BPM
Pelléas et Mélisande, Op.80: 6. Molto adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op.80: 6. Molto adagioGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaD Minor07A82 BPM
Piano Quintet in G Minor, Op. 57: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanPiano Quintet in G Minor, Op. 57: I. PreludeDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanC Minor35A130 BPM
Pictures at an Exhibition: Cum mortuis in lingua mortua by Modest Mussorgsky, Berliner Philharmoniker, Herbert von KarajanPictures at an Exhibition: Cum mortuis in lingua mortuaModest Mussorgsky, Berliner Philharmoniker, Herbert von KarajanB♭ Major36B93 BPM
String Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppo by Antonín Dvořák, Pavel Haas QuartetString Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppoAntonín Dvořák, Pavel Haas QuartetF Major17B158 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16 - Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": IV. Saltarello (Presto)Felix Mendelssohn, Berliner Philharmoniker, Herbert von KarajanA Minor28A95 BPM
Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) by Jules Massenet, Mischa Maisky, Lily MaiskyThaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky)Jules Massenet, Mischa Maisky, Lily MaiskyD Major110B70 BPM
Concerto For Violin And Strings In E, Op.8, No.1, RV.269 Concerto For Violin And Strings In E, Op.8, No.1, RV.269 "La Primavera": 3. Allegro (Danza pastorale) - LiveAntonio Vivaldi, Isaac Stern, Israel Philharmonic Orchestra, Zubin MehtaE Major112B78 BPM
Carissima by Edward Elgar, New Zealand Symphony Orchestra, James JuddCarissimaEdward Elgar, New Zealand Symphony Orchestra, James JuddE Minor29A87 BPM
ISRC
DEN960200923
レコードレーベル
L-M Records/RCA Records