"Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato)" by Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta was released on January 1, 2003. Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) appears to be safe for all ages as it is not explicit. The song is number 4 out of 18 in Dvorák: Cello Concerto / Strauss, R.: Don Quixote by Mischa Maisky, Berliner Philharmoniker, Zubin Mehta. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) by Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody On A Theme Of Paganini, Op.43: Variation 23. L'istesso tempo | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | B♭ Major | 4 | 6B | 82 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Piano Quintet in G Minor, Op. 57: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 3 | 5A | 130 BPM | ||
Pictures at an Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 93 BPM | ||
String Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppo | Antonín Dvořák, Pavel Haas Quartet | F Major | 1 | 7B | 158 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) | Jules Massenet, Mischa Maisky, Lily Maisky | D Major | 1 | 10B | 70 BPM | ||
Concerto For Violin And Strings In E, Op.8, No.1, RV.269 "La Primavera": 3. Allegro (Danza pastorale) - Live | Antonio Vivaldi, Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | E Major | 1 | 12B | 78 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM |