"Concert Piece "Huldra Aa'n Elland" for Violin and Orchestra" by Sigurd Lie, Ragnhild Hemsing, Bergen Philharmonic Orchestra, Eivind Aadland was released on March 31, 2023. Since Concert Piece "Huldra Aa'n Elland" for Violin and Orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Bruch & Tveitt by Ragnhild Hemsing, Bergen Philharmonic Orchestra, Eivind Aadland. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Concert Piece "Huldra Aa'n Elland" for Violin and Orchestra is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concert Piece "Huldra Aa'n Elland" for Violin and Orchestra by Sigurd Lie, Ragnhild Hemsing, Bergen Philharmonic Orchestra, Eivind Aadland is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Minor | 1 | 8A | 77 BPM | ||
Sne | Sigurd Lie, Helge Rode, Marianne Beate Kielland, Nils Anders Mortensen | F Minor | 0 | 4A | 97 BPM | ||
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Seks sange til tekster av Vilhelm Krag, op. 1: V. Jeg vilde sadle | Sigurd Lie, Vilhelm Krag, Marianne Beate Kielland, Nils Anders Mortensen | F Minor | 1 | 4A | 135 BPM | ||
19 Polish Songs, Op. 74: No. 2. Wiosna | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | F Major | 2 | 7B | 133 BPM | ||
A Child of our Time, Part I: The Argument. Man has measured the heavens with a telescope (Alto) | Michael Tippett, Sarah Connolly, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Stabat Mater, Op. 53: IV. Spraw, niech placze z Toba razem (Soprano, Alto, Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Pamela Helen Stephen, BBC Symphony Chorus | A♭ Major | 0 | 4B | 75 BPM | ||
Våren | Sven-Erik Bäck, Allmänna Sången, Cecilia Rydinger Alin | D Minor | 2 | 7A | 47 BPM |