"Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde" by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 7 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: XV. Nachtigall, sie singt so schön | Johannes Brahms, Christoph Berner, Konrad Jarnot, Werner Güra, Stella Doufexis, Camillo Radicke, Marlis Petersen | C Minor | 2 | 5A | 127 BPM | ||
Ihr Bildnis - Arr. by Aribert Reimann | Clara Schumann, Katharina Konradi, Cosmos Quartet | E♭ Major | 0 | 5B | 88 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Anda-Louise Bogza, Ladislava Vondráčková | A♭ Major | 1 | 4B | 89 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 2: "Zdráva..." | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Magdalena Kozená | B Major | 1 | 1B | 86 BPM | ||
Kalniņš: Sūpļa dzeesma | Alfrēds Kalniņš, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
The Ecstatic Pilgrimage, Cycle 4 "Beyond Circumference": No. 13, I Went to Heaven | Leo Smit, Georgine Resick, Warren Jones | D Major | 1 | 10B | 76 BPM | ||
Liebesliederwalzer, Op. 52: IX. Am Donaustrande | Johannes Brahms, Georg Friedrich Daumer, Stella Doufexis, Werner Güra, Christoph Berner, Marlis Petersen, Konrad Jarnot, Camillo Radicke | E Major | 1 | 12B | 91 BPM | ||
6 Ibsensanger, Op. 50: No. 2, En svane | Kjell Habbestad, Halvor Festervoll Melien, Nils Anders Mortensen | E Minor | 0 | 9A | 75 BPM |