"Concerto No. 5 in A Minor, op. 5: Adagio" by Tomaso Albinoni, Academy of St. Martin in the Fields, Sir Neville Marriner was released on July 3, 2020. The duration of Concerto No. 5 in A Minor, op. 5: Adagio is about 3 minutes long, at 3:21. Based on our data, "Concerto No. 5 in A Minor, op. 5: Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 29 in Essential Masterpieces of Baroque Music by Sir Neville Marriner, Academy of St. Martin in the Fields. Based on our statistics, Concerto No. 5 in A Minor, op. 5: Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 5 in A Minor, op. 5: Adagio by Tomaso Albinoni, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 123 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
Exsultate, jubilate, K. 165/158a: I. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ) | Wolfgang Amadeus Mozart, Albrecht Mayer, Vital Julian Frey, Deutsche Kammerphilharmonie Bremen | G Major | 1 | 9B | 75 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Tu mancavi a tormentarmi, crudelissima speranza (arr. L. Stokowski) | Antonio Cesti, Leopold Stokowski, Brussels Philharmonic, Richard Egarr | C Minor | 0 | 5A | 78 BPM | ||
Mozart: Concerto for Flute and Harp, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Anneleen Lenaerts, François Leleux, Orchestre de chambre de Paris | F Major | 1 | 7B | 99 BPM | ||
Concerto in C Minor: I. Introduzione - Larghetto | Domenico Cimarosa, John Anderson, Simon Wright, Philharmonia Orchestra | C Minor | 1 | 5A | 126 BPM |