Michael Haydn, Jörg Baumann made "Haydn, Michael / Arr Stoll : Polonaise in C major" available on 1980. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Original Works & Classics for Cello & Double Bass (APEX)". In this album, this song's track order is #16. In terms of popularity, Haydn, Michael / Arr Stoll : Polonaise in C major is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Haydn, Michael / Arr Stoll : Polonaise in C major by Michael Haydn, Jörg Baumann having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 16: No. 5, Thy Radiant Image | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | F Major | 2 | 7B | 200 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Piano Sonata No.15 In F, K.533/494: 3. Rondo (Allegretto), K.494 - 2002 Recording | Wolfgang Amadeus Mozart, Alfred Brendel | F Major | 1 | 7B | 134 BPM | ||
Sonata for Cello and Double Bass in B-Flat Major, K. 292: I. Allegro | Wolfgang Amadeus Mozart, Jörg Baumann, Klaus Stoll | B♭ Major | 1 | 6B | 98 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | G Minor | 1 | 6A | 74 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Nicholas Angelich | E♭ Major | 0 | 5B | 75 BPM |