"Louise (1994 Digital Remaster), ACT 3 Scene 1: Depuis le jour où je me suis donnée (Louise)" by Julius Rudel, Beverly Sills, Orchestre de l'Opéra National de Paris was released on 2004. Louise (1994 Digital Remaster), ACT 3 Scene 1: Depuis le jour où je me suis donnée (Louise) is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There is only one song in 100 Best Opera Classics, so we believe that "Louise (1994 Digital Remaster), ACT 3 Scene 1: Depuis le jour où je me suis donnée (Louise)" is a single. Louise (1994 Digital Remaster), ACT 3 Scene 1: Depuis le jour où je me suis donnée (Louise) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Louise (1994 Digital Remaster), ACT 3 Scene 1: Depuis le jour où je me suis donnée (Louise) テンポ

The tempo marking of Louise (1994 Digital Remaster), ACT 3 Scene 1: Depuis le jour où je me suis donnée (Louise) by Julius Rudel, Beverly Sills, Orchestre de l'Opéra National de Paris is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Louise (1994 Digital Remaster), ACT 3 Scene 1: Depuis le jour où je me suis donnée (Louise) キー

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.