"Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso" by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1987. The duration of Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Brahms: Symphony No.2 In D Major, Op. 73; Variations On A Theme By Joseph Haydn, Op. 56a by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan. Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie, Op. 64, TrV 233: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Evocation of the Ancestors | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 110 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Triumphal Symphony in E Major, Op. 6: II. Largo maestoso | Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell Ang | G Major | 1 | 9B | 115 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 76 BPM | ||
Valses nobles et sentimentales, M. 61: IV. Assez animé | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E Major | 1 | 12B | 105 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 66 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM |