"Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso" by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1987. The duration of Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Brahms: Symphony No.2 In D Major, Op. 73; Variations On A Theme By Joseph Haydn, Op. 56a by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan. Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 119 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 3. Presto | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | G Minor | 2 | 6A | 102 BPM | ||
Peer Gynt Suite No.2, Op.55: 4. Solveig's Song | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 80 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Casse-noisette : danse chinoise | Wiener Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 111 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM |