"Bagatelles, Op. 47, B. 79: No. 1 in G Minor, Allegretto scherzando" by Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon was released on January 30, 2009. The duration of Bagatelles, Op. 47, B. 79: No. 1 in G Minor, Allegretto scherzando is about 3 minutes long, at 3:05. Based on our data, "Bagatelles, Op. 47, B. 79: No. 1 in G Minor, Allegretto scherzando" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 16 in Dvořák: Miniatures, Bagatelles, Terzetto - Suk: Piano Quartet by Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. In terms of popularity, Bagatelles, Op. 47, B. 79: No. 1 in G Minor, Allegretto scherzando is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bagatelles, Op. 47, B. 79: No. 1 in G Minor, Allegretto scherzando by Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | A Major | 1 | 11B | 113 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato) | Antonín Dvořák, Mischa Maisky, Tabea Zimmermann, Berliner Philharmoniker, Zubin Mehta | B Minor | 1 | 10A | 114 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | A Major | 4 | 11B | 80 BPM | ||
Love Songs, Op. 83, B. 160 (arr. J. Suk): No. 1. O nasi lasce (About Our Love) | Josef Suk, Vladimir Ashkenazy | D Major | 2 | 10B | 76 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: I. Moderato | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | A Minor | 2 | 8A | 113 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM |