"Palestrina: Missa Papae Marcelli - 3f. Et Ascendit in Caelum" by The Tallis Scholars, Peter Phillips was released on September 1, 1980. With Palestrina: Missa Papae Marcelli - 3f. Et Ascendit in Caelum being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 46 in Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris Caelestis by The Tallis Scholars, Peter Phillips. Based on our statistics, Palestrina: Missa Papae Marcelli - 3f. Et Ascendit in Caelum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Palestrina: Missa Papae Marcelli - 3f. Et Ascendit in Caelum by The Tallis Scholars, Peter Phillips is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Latin Motets, Op. 38: III. Beati quorum via | Charles Villiers Stanford, The Choir Of Trinity College, Cambridge, Stephen Layton | A♭ Major | 1 | 4B | 83 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Tallis: Salve Intemerata - 2. Tu Nimirum Universas Alias Longe | The Tallis Scholars, Peter Phillips | D♭ Minor | 0 | 12A | 102 BPM | ||
Agnus Dei, JD 14 | John Dunstable, Tonus Peregrinus, Antony Pitts | E♭ Major | 1 | 5B | 137 BPM | ||
Tallis: Tunes for Archbishop Parker's Psalter - 3. Why fum'th in fight | Thomas Tallis, The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 191 BPM | ||
Evening Service in D Major: I. Magnificat | George Dyson, Exeter Cathedral Choir, Paul Morgan, Lucian Nethsingha | D Major | 2 | 10B | 104 BPM | ||
Stabat Mater: Fac me plagis vulnerary | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | B♭ Major | 2 | 6B | 66 BPM | ||
Tallis: Tunes for Archbishop Parker's Psalter - 6. Expend, O Lord, my plaint of word | Thomas Tallis, The Tallis Scholars, Peter Phillips | A♭ Major | 0 | 4B | 71 BPM | ||
Praetorius (H): In dulci jubilo - 4. Ubi sunt gaudia | Hieronymus Praetorius, Peter Phillips, The Tallis Scholars | N/A | N/A | N/A | 0 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 06. Kyrie 2 | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 83 BPM |