"The Sleeping Beauty, Op. 66 : Act III - No.28 Pas de deux (Aurore et Désiré) (Aurora and Prince Florimund) b) Adagio" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko was released on January 1, 2012. With this song being about 5 minutes long, at 4:38, "The Sleeping Beauty, Op. 66 : Act III - No.28 Pas de deux (Aurore et Désiré) (Aurora and Prince Florimund) b) Adagio" by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "The Sleeping Beauty (excerpts from the Ballet)". In this album, this song's track order is #21. The Sleeping Beauty, Op. 66 : Act III - No.28 Pas de deux (Aurore et Désiré) (Aurora and Prince Florimund) b) Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Act III - No.28 Pas de deux (Aurore et Désiré) (Aurora and Prince Florimund) b) Adagio by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a テンポ of 60 with a half-time of 30 テンポ and a double-time of 120 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
Symphony No.1 in B flat major, Spring, Op. 38 : IV. Allegro animato e grazioso | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 101 BPM | ||
Giselle: Act II: Variation 1: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 97 BPM | ||
Raymonda, Act II: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 0 | 7B | 127 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
The Sleeping Beauty, Op. 66 : Act II - No.15 a) Pas d'action (Scene d'Aurore et de Désiré) (Scene of Aurora and Prince Florimund) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | F Major | 1 | 7B | 94 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Act I: Coda (Toreros) (Minkus) | Mariinsky Orchestra | F Major | 3 | 7B | 116 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM |