Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet's 'Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701)' came out on September 27, 2011. With Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701) being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 19 out of 83. In terms of popularity, Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Second Livre, suite en si mineur: Prélude II. 83 (1701) by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
[Suite en la majeur]: III. Sarabande (No. 19) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 115 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Der Fluyten Lust-Hof: 27. Engels nachtegaeltje | Jacob van Eyck, Lucie Horsch | B Major | 0 | 1B | 68 BPM | ||
Le trophée: Gavotte pour les muses et les plaisirs. Gracieusement | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 0 | 7B | 73 BPM | ||
[Suite en ré majeur]: III. Sarabande (No. 49) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 1 | 3B | 74 BPM | ||
Cessez mortels de soupirer | Pierre Guédron, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 109 BPM | ||
Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
Partita in A Minor, FbWV 628: I. Allemande | Johann Jakob Froberger, Simone Stella | E♭ Minor | 1 | 2A | 81 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM |