On February 15, 2018, the song "Der Fluyten Lust-Hof: 27. Engels nachtegaeltje" was released by Jacob van Eyck, Lucie Horsch. The duration of Der Fluyten Lust-Hof: 27. Engels nachtegaeltje is about 3 minutes long, at 3:00. Based on our data, "Der Fluyten Lust-Hof: 27. Engels nachtegaeltje" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since van Eyck: Der Fluyten Lust-Hof: 27. Engels nachtegaeltje only contains only one song in the album, we like to consider this song as a single. Der Fluyten Lust-Hof: 27. Engels nachtegaeltje is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Der Fluyten Lust-Hof: 27. Engels nachtegaeltje by Jacob van Eyck, Lucie Horsch has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Der Fluyten Lust-Hof: 27. Engels nachtegaeltje being at 68 テンポ, the half-time would be 34 テンポ with a double-time of 136 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Tiento III Primer Tono | Jordi Savall, Antonio de Cabezón | C Major | 2 | 8B | 85 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Suite No. 5 in F Major: IV. Sarabande | Charles Dieupart, Marsyas Baroque, Simon Linne | F♯ Major | 4 | 2B | 72 BPM | ||
Cachua Serranita (Instrumental) | Traditional, Jordi Savall | A Minor | 3 | 8A | 95 BPM | ||
Sonate e Partite: No. 50, Andante | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM |