"Musique de table in B flat major : Flaterie" by Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov was released on January 1, 2003. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 18 in Bach Coffee Cantata, BWV 211; Telemann Musique de table by Saint Petersburg Orchestra of the State Hermitage Museum Camerata. In terms of popularity, Musique de table in B flat major : Flaterie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Musique de table in B flat major : Flaterie by Saint Petersburg Orchestra of the State Hermitage Museum Camerata, Alexander Titov is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: 4. La garde montante | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 1 | 7A | 124 BPM | ||
L'Arlesienne Suite No. 2 (arr. E. Guirand): IV. Farandole | Georges Bizet, Berlin Rundfunk Symphonie Orchester, Heinz Rögner | D Major | 5 | 10B | 147 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Peer Gynt Suite No. 2, Op. 55: II. Arabisk dans (Arabian Dance) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | C Major | 1 | 8B | 137 BPM | ||
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Pierre Cochereau, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 96 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 132 BPM |