"6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty" by Sergei Rachmaninoff, Hein Jung, Scott Kluksdahl, Grigorios Zamparas was released on April 12, 2024. With this song being about 5 minutes long, at 5:01, "6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty" by Sergei Rachmaninoff, Hein Jung, Scott Kluksdahl, Grigorios Zamparas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Rachmaninoff: Songs". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Romances, Op. 4: No. 4, Do Not Sing, My Beauty by Sergei Rachmaninoff, Hein Jung, Scott Kluksdahl, Grigorios Zamparas having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
Carmen, Act I: Seguidilla. Près des remparts de Séville | Georges Bizet, Aigul Akhmetshina, Freddie De Tommaso, Royal Philharmonic Orchestra, Daniele Rustioni | E Major | 0 | 12B | 112 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 17 in B-Flat Minor. Grave | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Victoria de los Ángeles, Gonzalo Soriano | F♯ Major | 0 | 2B | 113 BPM | ||
6 Romances, Op. 38: No. 5, The Dream | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me | Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM | ||
Massenet: Don Quichotte, Act 3: "C'est ici le chemin que prennent les bandits" (Don Quichotte, Sancho) | Jules Massenet, Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson - José Van Dam, Alain Fondary, José van Dam, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |