George Frideric Handel, Academy of Ancient Music, Richard Egarr's 'Concerto in A Major, Op.7, No.2: II. Ouverture - A tempo ordinario' came out on August 11, 2009. Since Concerto in A Major, Op.7, No.2: II. Ouverture - A tempo ordinario is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Academy of Ancient Music, Richard Egarr's "Handel: Organ Concertos, Op. 7" album is number 6 out of 32. Based on our statistics, Concerto in A Major, Op.7, No.2: II. Ouverture - A tempo ordinario's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in A Major, Op.7, No.2: II. Ouverture - A tempo ordinario by George Frideric Handel, Academy of Ancient Music, Richard Egarr to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Sonata Da Camera No. 8 in E minor, Op. 5: I. Preludio (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E♭ Minor | 1 | 2A | 77 BPM | ||
Trio Sonata in G Minor: IV. Allegro | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 101 BPM | ||
Sonate cioè balletti: No. 14, Passacaglio "Il Marcquetta" | Giovanni Antonio Pandolfi Mealli, London Baroque | B Minor | 1 | 10A | 95 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Premier Concert: Gavotte - Notes Égales Et Coulées (Couperin) | Le Concert Des Nations, Jordi Savall | F Minor | 2 | 4A | 81 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Trumpet Concerto No. 1 in D Major, MWV 6:32: II. Adagio | Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 75 BPM |