"Sonata Da Camera No. 8 in E minor, Op. 5: I. Preludio (Largo)" by Arcangelo Corelli, Ottavio Dantone, Stefano Montanari was released on November 7, 2006. With this song being about 5 minutes long, at 4:44, "Sonata Da Camera No. 8 in E minor, Op. 5: I. Preludio (Largo)" by Arcangelo Corelli, Ottavio Dantone, Stefano Montanari is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 60 in Corelli: Violin Sonatas Op. 5, Nos. 1-12 by Arcangelo Corelli, Accademia Bizantina, Stefano Montanari, Ottavio Dantone. Sonata Da Camera No. 8 in E minor, Op. 5: I. Preludio (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata Da Camera No. 8 in E minor, Op. 5: I. Preludio (Largo) by Arcangelo Corelli, Ottavio Dantone, Stefano Montanari is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Trumpet Concerto No. 1 in D Major, MWV 6:32: II. Adagio | Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 75 BPM | ||
Concerto 4 in F Major, Op. 7: III. Allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 3 | 12B | 100 BPM | ||
Intermedes de Xerxes: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 98 BPM | ||
Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Sonata in A Major, Op. 1, No. 3: I.-IV. Grave - Allegro - Adagio - Allegro | Arcangelo Corelli, Simon Standage, Michaela Comberti, Trevor Pinnock, Anthony Pleeth | A♭ Major | 1 | 4B | 134 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Violin Sonata in E-Flat Major: I. Allegretto | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 78 BPM |