Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra made "Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus]" available on 1992. The duration of Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra's "Gounod : Faust [Highlights]" album is number 3 out of 21. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Two Aquarelles: Lento, ma non troppo | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | D Minor | 0 | 7A | 80 BPM | ||
Gounod : Faust : Act 3 "Écoute-moi bien, Marguerite!" [Valentin, Marthe, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E Minor | 0 | 9A | 127 BPM | ||
La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM |