Niccolò Paganini, Luigi Alberto Bianchi, Maurizio Preda's ' "60 Variations on Barucaba, Op. 14, MS 71: Group No. 2: Variation 14" was released on its scheduled release date, January 1, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 67 in the song's album "Paganini: Sonata Concertata / Cantabile E Valtz / 60 Variations On Barucaba". In this album, this song's track order is #40. Furthermore, we believe that the track originated from Italy. In terms of popularity, 60 Variations on Barucaba, Op. 14, MS 71: Group No. 2: Variation 14 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 60 Variations on Barucaba, Op. 14, MS 71: Group No. 2: Variation 14 by Niccolò Paganini, Luigi Alberto Bianchi, Maurizio Preda having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Requiem In D Minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 76 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Romanza in Am | Niccolò Paganini, Niklas Johansen | A Minor | 0 | 8A | 79 BPM | ||
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) | Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin | G Minor | 1 | 6A | 81 BPM | ||
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato | Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff | E Minor | 1 | 9A | 126 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Sonata No. 12: Andante cantabile | Niccolò Paganini, Moshe Hammer, Norbert Kraft | A Major | 1 | 11B | 113 BPM |