Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin's 'Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille)' had a release date set for November 16, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Antonio Bartolomeo Bruni, Natalia Lomeiko's "Halvorsen & Bruni: Duos" album is number 2 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) by Johan Halvorsen, Natalia Lomeiko, Yuri Zhislin to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | B♭ Major | 1 | 6B | 114 BPM | ||
Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM | ||
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Le Festin D'Esope Op. 39 No. 12 | Charles-Valentin Alkan, Igor Roma | E Minor | 2 | 9A | 138 BPM | ||
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 1, Andante | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | F Major | 0 | 7B | 171 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
12 Etudes, Op.10: No.12 In C Minor | Frédéric Chopin, Daniele Pollini | A♭ Major | 1 | 4B | 125 BPM | ||
Caprice 1 in D-Sharp Major | Pietro Locatelli, Gabriel Tchalik | D Major | 2 | 10B | 105 BPM | ||
String Quartet In F Minor, Hob. III:35, Op.20 No.5: 1. Moderato | Joseph Haydn, Emerson String Quartet | F Minor | 1 | 4A | 121 BPM | ||
The Song of Veslemøy - Arr. for Hardanger Fiddle and Piano | Johan Halvorsen, Ragnhild Hemsing, Mario Häring | F♯ Minor | 0 | 11A | 139 BPM |