Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths made "Symphony Concertante in D Major, Op. 20: III. Polonaise" available on June 5, 2020. Since Symphony Concertante in D Major, Op. 20: III. Polonaise is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Brandl: Orchestral Works by Johann Evangelist Brandl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths. In terms of popularity, Symphony Concertante in D Major, Op. 20: III. Polonaise is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Symphony Concertante in D Major, Op. 20: III. Polonaise by Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 119 BPM | ||
Piano Concerto No. 20 in D Minor, K. 466: II. Romance | Wolfgang Amadeus Mozart, Jeremy Denk, Saint Paul Chamber Orchestra | B♭ Major | 1 | 6B | 85 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Klarinettenkonzerte Nr.1op.73 & Nr.2 op.74 · Concertino op.26, Konzert für Klarinette und Orchester Nr.2 Es-dur op.74: III. Alla Polacca | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | E♭ Major | 2 | 5B | 118 BPM | ||
Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM | ||
Five pieces for Two Violins and Piano: II. Gavotte- Tranquillo, molto leggiero | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | F Minor | 3 | 4A | 172 BPM | ||
Symphony No. 49 in F Minor, Hob. I:49 'La Passione': III. Minuet - Trio | Joseph Haydn, Barbara Hannigan, Ludwig Orchestra | A Minor | 0 | 8A | 70 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM |