"3 Motets, Op. 38: III. Beati quorum via" by Charles Villiers Stanford, David Hill, Winchester Cathedral Choir was released on October 26, 2012. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 45 in the song's album "Stanford: Sacred Choral Music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. 3 Motets, Op. 38: III. Beati quorum via is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Motets, Op. 38: III. Beati quorum via by Charles Villiers Stanford, David Hill, Winchester Cathedral Choir having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Yan Pascal Tortelier, BBC Philharmonic, City of Birmingham Symphony Chorus | D♭ Major | 0 | 3B | 70 BPM | ||
String Quartet No. 1 in G Major, Op. 44: II. Poco allegro e grazioso – Presto – Tempo I – Presto – Tempo I | Charles Villiers Stanford, RTÉ Vanbrugh Quartet | G Minor | 1 | 6A | 110 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
The Clown's Songs from "Twelfth Night", Op. 65 (Version for Voice & Orchestra): II. Come Away Death | Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews | D Major | 2 | 10B | 84 BPM | ||
Entreat Me Not To Leave You | Salt Lake Vocal Artists | B♭ Minor | 2 | 3A | 79 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM |