"The Watermill" by Binge, Ronald Binge, Ronald Binge Orchestra was released on 2016. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Binge, Ronald Binge, Ronald Binge Orchestra's "Melodies For Leisure" album is number 1 out of 3. On top of that, United Kingdom appears to be the country where this track was created. The Watermill is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Watermill by Binge, Ronald Binge, Ronald Binge Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
Kiss Me Before The Cops Come | Binge | D Major | 7 | 10B | 112 BPM | ||
Act I: Largo | George Frideric Handel, James Galway, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | F Major | 1 | 7B | 76 BPM | ||
Madama Butterfly: Humming Chorus | Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra | G Major | 4 | 9B | 100 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Concerto For Piano & Orchestra - Movement 1 - The Smile | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | E♭ Major | 2 | 5B | 100 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
Madama Butterfly - Act II | Chorus and Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | B♭ Major | 0 | 6B | 73 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM |