Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra's 'Madama Butterfly: Humming Chorus' came out on 1969. The duration of Madama Butterfly: Humming Chorus is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Madama Butterfly: Humming Chorus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Puccini Without Words". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Madama Butterfly: Humming Chorus is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Madama Butterfly: Humming Chorus by Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
Goyescas: Intermezzo | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 1 | 5B | 131 BPM | ||
Massenet: Manon, Act 2 Scene 1: Introduction. Andantino très calme | Jules Massenet, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | E♭ Major | 0 | 5B | 99 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Major | 1 | 11B | 83 BPM | ||
La Rondine, Act I: Chi il bel sogno di Doretta | Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Leichte Kavallerie: Overture | Franz von Suppé, Munich Radio Orchestra, Ivan Repušić | E Major | 3 | 12B | 128 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Minuetto I | Giacomo Puccini, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | E♭ Major | 0 | 5B | 83 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM |