"Hoffmanns Erzählungen: Menuett Barcarole" by Vienna State Opera Orchestra, Josef Drexler was released on July 25, 2005. The duration of Hoffmanns Erzählungen: Menuett Barcarole is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Hoffmanns Erzählungen: Menuett Barcarole's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Operetten Zauber - Jacques Offenbach". In this album, this song's track order is #21. Hoffmanns Erzählungen: Menuett Barcarole is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hoffmanns Erzählungen: Menuett Barcarole by Vienna State Opera Orchestra, Josef Drexler having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH 5, Act II: Act II Scene 1: Uzhel ya zasluzhil ot vas nasmyeshku etu? (Lenski, Olga, Onegin, Chorus) | Pyotr Ilyich Tchaikovsky, Vienna State Opera Orchestra, Rohangiz Yachmi, Wolfgang Brendel, Peter Dvorsky, Vienna State Opera Chorus, Seiji Ozawa | E Minor | 1 | 9A | 76 BPM | ||
La vie parisienne: Bacarolle - Instrumental | Jacques Offenbach, Philadelphia Orchestra, Eugene Ormandy | D Major | 2 | 10B | 82 BPM | ||
Florentiner Marsch | Original Tiroler Kaiserjägermusik | E♭ Major | 3 | 5B | 115 BPM | ||
Symphony No. 80 In D Minor, H 1/80 | Vienna State Opera Orchestra | A♭ Major | 5 | 4B | 96 BPM | ||
Radetzky-Marsch | Johann Strauss I, Wolfgang Gröhs | G Major | 0 | 9B | 66 BPM | ||
Wacht an der Donau! | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | D Major | 3 | 10B | 112 BPM | ||
Die Csardasfurstin (The Gypsy Princess), Act II: Duet: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Putz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
Horn Concerto No. 4 in E-flat Major, K. 495: iii. Rondo: Allegro vivace | Mozart, Albert Linder, Vienna State Opera Orchestra, Hans Swarowsky | E♭ Major | 1 | 5B | 95 BPM | ||
Guillaume Tell: Overture | Gioachino Rossini, Vienna State Opera Orchestra, Fabio Luisi | E Major | 1 | 12B | 78 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM |