"Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo" by Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard was released on November 17, 2023. With Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gilles Colliard, Orchestre De Chambre De Toulouse's "La Follia (Italie baroque)" album is number 11 out of 30. On top of that, France appears to be the country where this track was created. In terms of popularity, Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo by Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata a 6 in D Minor, G. 24 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sinfonia G-dur (1749): III. Presto | Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Major | 2 | 2B | 74 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Concerto grosso in B-Flat Major, Op. 6 No. 7, HWV 325: I. Largo | George Frideric Handel, Camerata Nordica, Daniel Hansson | F Major | 0 | 7B | 171 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 2: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 0 | 7B | 94 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM |