"The Miraculous Mandarin Suite, BB 82, (Sz. 73) Op.19" by Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti was released on May 1, 1991. The Miraculous Mandarin Suite, BB 82, (Sz. 73) Op.19 appears to be safe for all ages as it is not explicit. The song is number 8 out of 8 in Bartók: Music for Strings, Percussion & Celesta; Divertimento; Miraculous Mandarin Suite by Pierre Oberkampf, Béla Bartók, Sir Georg Solti, Chicago Symphony Orchestra. The Miraculous Mandarin Suite, BB 82, (Sz. 73) Op.19 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Miraculous Mandarin Suite, BB 82, (Sz. 73) Op.19 by Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Miraculous Mandarin Suite, BB 82, (Sz. 73) Op.19 | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 3 | 3B | 85 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Symphony No. 2 in B Minor: III. Andante | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 76 BPM | ||
Concerto in modo misolidio, P. 145: Lento | Ottorino Respighi, Konstantin Scherbakov, Slovak Radio Symphony Orchestra, Howard Griffiths | B♭ Minor | 0 | 3A | 74 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
Das Rheingold / Erste Szene: "Der Welt Erbe Gewänn' ich zu eigen durch dich?" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 76 BPM | ||
Hary Janos Suite: Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM |