"Mozart: Don Giovanni, K. 527, Act 2 Scene 10: No. 21a, Aria, "Il mio tesoro intanto" (Don Ottavio)" by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker was released on October 31, 1988. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 2 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 2 Scene 10: No. 21a, Aria, "Il mio tesoro intanto" (Don Ottavio) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 10: No. 21a, Aria, "Il mio tesoro intanto" (Don Ottavio) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: Gira la cote! (Coro, Calaf, Liù) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Minor | 4 | 10A | 137 BPM | ||
Verdi: Nabucco, Act 3: "Donna, chi sei?" (Nabucco, Abigaille) / Chi è costei?... Oh, di qual'onta aggravisi" (Nabucco, Abigaille) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 2 | 4B | 78 BPM | ||
Verdi: Aida, Act 1: "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F Major | 2 | 7B | 64 BPM | ||
La traviata / Act 2: "Invitato a qui seguirmi" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Carlo Rizzi, Wiener Philharmoniker, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 2 | 4B | 92 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" | Wolfgang Amadeus Mozart, Dorothea Röschmann, René Pape, Kurt Azesberger, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | C Major | 1 | 8B | 88 BPM | ||
Verdi: Aida, Act 1: "Vieni, o diletta, appressati" (Amneris, Aida, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E Minor | 2 | 9A | 68 BPM | ||
Madama Butterfly / Act 1: Vieni, amor mio! | Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 76 BPM | ||
Mozart: Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris" (Die Priester) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/André von Mattoni/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Gustaf Sjökvist, Sinfonie-Orchester Des Bayerischen Rundfunks | A♭ Major | 2 | 4B | 100 BPM | ||
La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 83 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM |