Wolfgang Amadeus Mozart, Dorothea Röschmann, René Pape, Kurt Azesberger, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner's 'Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!"' came out on January 24, 2005. Since Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado's "Mozart: Die Zauberflöte" album is number 16 out of 42. Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" by Wolfgang Amadeus Mozart, Dorothea Röschmann, René Pape, Kurt Azesberger, Christoph Strehl, Mahler Chamber Orchestra, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?" | Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado, Scottish Opera Chorus, Arthur Oldham | D Major | 4 | 10B | 128 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Euch werde Lohn in bessern Welten | Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Messa di Requiem, Dies irae: Mors stupebit | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | F Major | 0 | 7B | 117 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Margherita Guglielmi, Laura Zannini, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 127 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Aria - Aprite Un Po' Quegl'occhi | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Roberto Frontali, Ingrid Kertesi, Hungarian State Opera Orchestra, Maria Pia Ionata, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | E♭ Major | 3 | 5B | 131 BPM | ||
La Cenerentola / Act 2: "Un segreto d'importanza" | Gioachino Rossini, Renato Capecchi, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | C Major | 0 | 8B | 142 BPM |