"Ah Perfido!, Op. 65: "Ah crudel! tu vuoi ch'io mora!"" by Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang was released on November 19, 2021. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Unreleased". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ah Perfido!, Op. 65: "Ah crudel! tu vuoi ch'io mora!" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ah Perfido!, Op. 65: "Ah crudel! tu vuoi ch'io mora!" by Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
歌劇「魔笛」 第2幕~夜の女王のアリア | 佐藤美枝子, ジェイムズ・ロックハート, フィルハーモニア管弦楽団 | F Major | 2 | 7B | 71 BPM | ||
Les Danaides: Act I: Dance | Antonio Salieri, Montserrat Caballé, Jean-Philippe Lafont, Andrea Martin, Carlo Tuand, Christer Bladin, Maria Trabucco, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Gianluigi Gelmetti | D Major | 1 | 10B | 121 BPM | ||
Symphony No. 50 in C Major, Hob. I:50: III. Minuet - Trio | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Sinfonia d'Opera: Allegro vivace | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | A Major | 1 | 11B | 88 BPM | ||
Rondo Fresco Ungaria per corno di bassetto e ottetto di fiati | Georg Druschetzky, Luigi Magistrelli, Italian Classical Consort | F Major | 1 | 7B | 136 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Le nozze di Figaro, K. 492 / Act 2: "Porgi amor...Vieni, cara Susanna" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, Samuel Ramey, Frederica von Stade, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 83 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM | ||
The Abduction from the Seraglio, K.384: Act II, Aria: "Tortures Unrelenting" | Rundfunkorchester des Südwestfunks Baden-Baden | C Major | 2 | 8B | 113 BPM |