"Misa a Buenos Aires "Misatango": IV. Sanctus" by MartÍn Palmeri, Dagmar Linde, Bach-Chor Siegen, Rocco Heins, Peter Scholl, El Arroyo Tango Orchestra, Ulrich Stötzel was released on March 2, 2018. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Palmeri: Misa a Buenos Aires". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Misa a Buenos Aires "Misatango": IV. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misa a Buenos Aires "Misatango": IV. Sanctus by MartÍn Palmeri, Dagmar Linde, Bach-Chor Siegen, Rocco Heins, Peter Scholl, El Arroyo Tango Orchestra, Ulrich Stötzel having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert: Kyrie in B-Flat Major, D. 45 | Franz Schubert, Wolfgang Sawallisch, Bavarian Radio Chorus | A♭ Major | 1 | 4B | 62 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra | G Major | 3 | 9B | 100 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Te Deum "de Lyon": XIV. Et rege eos | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Donde hay violencia no hay culpa, Act I: A la gran deidad de Marte | Jose Nebra, Los Elementos, Alberto Miguélez Rouco | D♭ Major | 1 | 3B | 75 BPM | ||
Misa a Buenos Aires "Misatango": I. Kyrie | MartÍn Palmeri, Dagmar Linde, Bach-Chor Siegen, Rocco Heins, Peter Scholl, El Arroyo Tango Orchestra, Ulrich Stötzel | C Minor | 1 | 5A | 95 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Six Moravian Choruses: V. The Wild Rose | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM |