Willy Brandt, Matthias Höfs, Hamburg Philharmonic Soloists's 'Concert Piece No. 1 in F Minor, Op. 11 - Arr. for Trumpet and Salon Orchestra' came out on June 12, 2015. Since Concert Piece No. 1 in F Minor, Op. 11 - Arr. for Trumpet and Salon Orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Trumpet Acrobatics". In this album, this song's track order is #4. In terms of popularity, Concert Piece No. 1 in F Minor, Op. 11 - Arr. for Trumpet and Salon Orchestra is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concert Piece No. 1 in F Minor, Op. 11 - Arr. for Trumpet and Salon Orchestra by Willy Brandt, Matthias Höfs, Hamburg Philharmonic Soloists having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dance Movements: I. Ritmico | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 2 | 10B | 138 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Minor | 0 | 6A | 73 BPM | ||
Horn Concerto in B flat, Op. 91: 2. Andante | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | E♭ Major | 0 | 5B | 62 BPM | ||
Brandt - Konzertstück No. 2 I | Vassily Brandt, Christian Lindberg, Sergei Nakariakov, Hercules Brass Ensemble | G Minor | 7 | 6A | 103 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Bassoon Concerto in B-Flat Major, K. 191: II. Andante ma adagio | Wolfgang Amadeus Mozart, Stepan Turnovsky, Vienna Mozart Academy, Johannes Wildner | F Major | 0 | 7B | 70 BPM | ||
Lincolnshire Posy: I. Lisbon | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | D♭ Major | 1 | 3B | 120 BPM | ||
Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
Pulcinella Suite: III. Scherzino - Allegro - Andantino | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | C Major | 1 | 8B | 124 BPM | ||
Krieg in Norwegen, Kapitel 14.2 - Krieg in Norwegen (Ungekürzt) | Willy Brandt | C Major | 3 | 8B | 128 BPM |