"St. Luke Passion: Part II: Unus autem (St. Luke)" by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on January 22, 2004. The duration of St. Luke Passion: Part II: Unus autem (St. Luke) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. St. Luke Passion: Part II: Unus autem (St. Luke)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Penderecki, K.: St. Luke Passion". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Hong Kong. St. Luke Passion: Part II: Unus autem (St. Luke) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With St. Luke Passion: Part II: Unus autem (St. Luke) by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Epilog - Finale | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 0 | 6B | 129 BPM | ||
White Landscapes, Op. 47a: I. Divination by Snow. Adagio | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | E Minor | 0 | 9A | 83 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
Lux aeterna | György Ligeti, Daniel Reuss, Cappella Amsterdam | C Major | 0 | 8B | 54 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
Prelude to the Afternoon of a Faun, L. 86 - Remastered | Claude Debussy, Daniel Barenboim | E Major | 1 | 12B | 72 BPM |