"Lux aeterna" by György Ligeti, Daniel Reuss, Cappella Amsterdam was released on 2007. Since Lux aeterna is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in György Ligeti, Susanne Van Els, Cappella Amsterdam, Ensemble Musikfabrik, Daniel Reuss's "Ligeti: Lux aeterna" album is number 2 out of 14. On top of that, France appears to be the country where this track was created. Lux aeterna is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lux aeterna by György Ligeti, Daniel Reuss, Cappella Amsterdam to be Lento (slowly) because the track has a tempo of 54 テンポ, a half-time of 27テンポ, and a double-time of 108 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Model 2 | Karlheinz Stockhausen, Electric Phoenix | E Minor | 0 | 9A | 87 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 2 | Max Richter | D Minor | 4 | 7A | 133 BPM | ||
Was willst du dich, o meine Seele, kränken, BWV 425 | Johann Sebastian Bach, Vocalconsort Berlin, Daniel Reuss, Elina Albach | E Major | 1 | 12B | 75 BPM | ||
Music for Marcel Duchamp (1947) | John Cage, Stephen Drury | B♭ Minor | 0 | 3A | 109 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Schaut, ihr Sünder, BWV 408 | Johann Sebastian Bach, Sarah Perl, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | A Major | 1 | 11B | 77 BPM | ||
Railroad (Travel Song) | Meredith Monk, Bruce Brubaker | E Minor | 1 | 9A | 190 BPM | ||
Aheym | Bryce Dessner, Kronos Quartet | C Minor | 4 | 5A | 142 BPM | ||
Von Gott will ich nicht lassen, BWV 417 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | C Minor | 1 | 5A | 180 BPM |