"The Night Is Darkening Round Me" by Tõnu Kõrvits, Kate Telfer, The Choir of Royal Holloway, Rupert Gough was released on June 30, 2013. The Night Is Darkening Round Me is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The track order of this song in The Choir of Royal Holloway, Tõnu Kõrvits, Rupert Gough, Arturs Maskats, Pēteris Plakidis's "Kõrvits: Kreek's Notebook" album is number 9 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Night Is Darkening Round Me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Night Is Darkening Round Me by Tõnu Kõrvits, Kate Telfer, The Choir of Royal Holloway, Rupert Gough to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tiibade hääl (The Sound of Wings) (2022): V. Nõnda kõneleb süda (Thus Speaks the Heart) | Tõnu Kõrvits, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Risto Joost | E♭ Major | 1 | 5B | 86 BPM | ||
Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | B Major | 0 | 1B | 77 BPM | ||
Suite In Old Style: II. The Rose Garden, By Moonlight | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | D Minor | 2 | 7A | 79 BPM | ||
Lachrimae Antiquae | Jordi Savall, John Dowland | A Minor | 1 | 8A | 90 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
The Great Child in the Great Machine I | Ulrike Haage | D Minor | 0 | 7A | 66 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
The Sacred Veil: V. Whenever There is Birth | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | G Minor | 0 | 6A | 77 BPM |