"I. Laura Soave: Balleto con gagliarda, saltarello e canario (Fabrizio Caroso)" by Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber Orchestra was released on April 23, 1986. With I. Laura Soave: Balleto con gagliarda, saltarello e canario (Fabrizio Caroso) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Respighi: Ancient Airs And Dances". In this album, this song's track order is #5. In terms of popularity, I. Laura Soave: Balleto con gagliarda, saltarello e canario (Fabrizio Caroso) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I. Laura Soave: Balleto con gagliarda, saltarello e canario (Fabrizio Caroso) by Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber Orchestra having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 2 | 7A | 171 BPM | ||
Respighi: Feste romane, P. 157: I. Circenses | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 76 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilen | Gustav Mahler, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A♭ Major | 0 | 4B | 88 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Allegro giocoso | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | D Major | 1 | 10B | 110 BPM | ||
Symphony No. 2 In D Major, Op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 79 BPM |