"Bouche de Coral precieux (version with lute)" by Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp had its release date on January 1, 2009. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 70 in the song's album "Sweelinck, J.P.: Vocal Music (The Secular Vocal Works - Chansons, Italian Rimes and Madrigals, French Rimes)". In this album, this song's track order is #9. In terms of popularity, Bouche de Coral precieux (version with lute) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bouche de Coral precieux (version with lute) by Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XIV. Unser Wandel ist im Himmel | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Christ lag in Todes Banden, BWV 4: Aria. Jesu Christus, Gottes Sohn (Tenor) | Johann Sebastian Bach, Koki Katano, Bach Collegium Japan, Masaaki Suzuki | F Minor | 2 | 4A | 95 BPM | ||
Es taget vor dem Walde / Fortuna | Ludwig Senfl, Consort Mirabile | E♭ Minor | 1 | 2A | 81 BPM | ||
Marienvesper - 1. Versus. Ave maris stella | Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke | A Minor | 1 | 8A | 76 BPM | ||
Victoria: Requiem (Missa pro defunctis) - 01. Introitus - Requiem aeternam | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 169 BPM | ||
Quis te comprehendat, K. Anh. 110 | Wolfgang Amadeus Mozart, The Cathedral Singers, Richard Proulx | E♭ Major | 1 | 5B | 80 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Engelse Fortuijn, SwWV 320 | Jan Pieterszoon Sweelinck, Robert Woolley | E Major | 1 | 12B | 99 BPM | ||
Chacony in G Minor, Z. 730 | Henry Purcell, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Agnus Dei | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | A Minor | 3 | 8A | 96 BPM |