"Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major" by Johann Sebastian Bach, Friedrich Gulda was released on October 13, 2017. The duration of Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 29 in Bach: Best of Bach by Johann Sebastian Bach, Friedrich Gulda, Isang Enders, Kammerorchester Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major by Johann Sebastian Bach, Friedrich Gulda is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Henrik Måwe | E Major | 0 | 12B | 72 BPM | ||
Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Children's Album, Op. 19 (Excerpts): No. 2, Music Box | Tatiana Nikolayeva, Hiroko Ishimoto | D Major | 1 | 10B | 184 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
Serse, HWV 40: Ombra mai fu (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A♭ Major | 0 | 4B | 70 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |