"Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio" by Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans was released on March 27, 2003. Since Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jean-Guihen Queyras, Freiburger Barockorchester, Petra Mullejans's "Haydn: Cello Concertos" album is number 2 out of 9. On top of that, France appears to be the country where this track was created. Based on our statistics, Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio by Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Cello Concerto in A Minor, Wq.170: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | A Minor | 2 | 8A | 86 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 17, Und Gott schuf große Walfische | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Tareq Nazmi | B♭ Major | 3 | 6B | 117 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM |