"War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace" by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra was released on May 8, 2012. With War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. In terms of popularity, War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66: xxvi. Libera Me - Requiescant in pace by Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 93 BPM | ||
Wozzeck / Act III: Scene V: Street Before Marie's Door. "Ringel, Ringel, Rosenkranz" | Alban Berg, Viktoria Lehner, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 140 BPM | ||
Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus | B♭ Major | 0 | 6B | 97 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | ||
Vesperae solennes de confessore in C, K.339: 3. Beatus vir qui timet Dominum | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | G Major | 2 | 9B | 112 BPM |