"Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin was released on January 1, 1995. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Ravel: Daphnis et Chloë". In this album, this song's track order is #5. In terms of popularity, Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, André Previn, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Symphonie "Mathis der Maler": I. Engelkonzert | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 106 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 126 BPM | ||
Symphony No.9 In D / 1. Satz: Mit Wut. Allegro risoluto | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 3 | 3A | 74 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Symphony No.4 In E Minor, Op.98: 2. Andante moderato | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 69 BPM | ||
Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Symphony No. 6 in F Major, Op. 68 - "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 3 | 3A | 93 BPM | ||
Brahms: Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 2 | 3B | 140 BPM |