Georg Philipp Telemann, Tamar Lalo, La Ritirata, Josetxu Obregon's 'Sonata for Recorder and Continuo in C Major, TWV 41:C5: I. Adagio - Allegro - Adagio - Allegro' came out on November 30, 2017. The duration of Sonata for Recorder and Continuo in C Major, TWV 41:C5: I. Adagio - Allegro - Adagio - Allegro is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Sonata for Recorder and Continuo in C Major, TWV 41:C5: I. Adagio - Allegro - Adagio - Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Concierto Barroco by La Ritirata, Josetxu Obregon. Based on our statistics, Sonata for Recorder and Continuo in C Major, TWV 41:C5: I. Adagio - Allegro - Adagio - Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Recorder and Continuo in C Major, TWV 41:C5: I. Adagio - Allegro - Adagio - Allegro by Georg Philipp Telemann, Tamar Lalo, La Ritirata, Josetxu Obregon is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Sonata a 4 in G major, TWV 43:G10: II. Andante | Georg Philipp Telemann, Mieneke van der Velden, Jan De Winne, Leo Van Doeselaar, Kaori Uemura | E Major | 0 | 12B | 138 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Telemann: Concerto for Recorder and Flute in E Minor, TWV 52:e1: III. Largo | Georg Philipp Telemann, Frans Brüggen, André Rieu, Franz Vester, Gustav Leonhardt, Paul Doctor, Chamber Orchestra of Amsterdam, Concerto Amsterdam, Südwestdeutsches Kammerorchester, & Friedrich Tilegant, Franz Vester, Gustav Leonhardt, André Rieu, Concertgebouw Chamber Orchestra | E Major | 2 | 12B | 89 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM |