"Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder!" by Claude Debussy, The Monteverdi Choir, John Eliot Gardiner was released on January 1, 1994. The duration of Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder! is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 18 in Fauré: Requiem / Debussy: Trois chansons de Charles d'Orléans / Saint-Saëns: Calme des nuits by The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner. Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder! by Claude Debussy, The Monteverdi Choir, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe de Nostre Dame: Agnus Dei | Guillaume de Machaut, Oxford Camerata, Jeremy Summerly | A Minor | 1 | 8A | 78 BPM | ||
Rêverie | Claude Debussy, Alain Planès | F Major | 0 | 7B | 62 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
3 Sacred Hymns: No. 3. Otche nash (Our Father) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 0 | 5B | 73 BPM |