"3 Sacred Hymns: No. 3. Otche nash (Our Father)" by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra was released on November 5, 2013. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Schnittke: Konzert für Chor, Stimmen der Natur & 3 Geistliche Gesänge - Pärt: Dopo la vittoria". In this album, this song's track order is #7. 3 Sacred Hymns: No. 3. Otche nash (Our Father) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Sacred Hymns: No. 3. Otche nash (Our Father) by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Symphony No. 13 in B-Flat Minor, Op. 113 "Babi Yar": II. Humour. Allegretto | Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Chorus, Sergei Aleksashkin, Bavarian Radio Symphony Orchestra | F Minor | 2 | 4A | 84 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | ||
Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D Major | 1 | 10B | 138 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Little Tragedies | Alfred Schnittke, State USSR Cinema Orchestra, Emin Khachaturian | D♭ Major | 2 | 3B | 89 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Concerto Grosso No. 5: I. Allegretto - Live | Alfred Schnittke, Gidon Kremer, Rainer Keuschnig, Wiener Philharmoniker, Christoph von Dohnányi | F Major | 1 | 7B | 176 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Carmina Burana / Uf dem Anger: "Were diu werlt alle min" | Carl Orff, Bavarian Radio Symphony Orchestra, Daniel Harding, Bavarian Radio Chorus, Robert Blank | E Major | 2 | 12B | 125 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia (Alto, Tenor) | Johann Sebastian Bach, Christina Landshamer, Diana Haller, Maarten Engeltjes, Maximilian Schmitt, Konstantin Wolff, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | A♭ Minor | 0 | 1A | 91 BPM |