Johann Strauss II, Academy of St. Martin in the Fields, Sir Neville Marriner made "Pizzicato Polka, Op.234" available on August 1, 1988. The duration of Pizzicato Polka, Op.234 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Pizzicato Polka, Op.234's duration is considered a little bit shorter than the average duration of a typical track. This song is part of With Love From Vienna by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #7 out of 9 tracks. Pizzicato Polka, Op.234 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Pizzicato Polka, Op.234 by Johann Strauss II, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pizzicato Polka, Op.234 being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Die Fledermaus / Act 2: Nr.11 Finale: "Im Feuerstrom der Reben" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | D Major | 5 | 10B | 79 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Die Fledermaus: Act II: Introduction: Ein Souper heut' uns winkt | Johann Strauss II, Peter Edelmann, Silvana Dussmann, Ute Gfrerer, Marion Rainer, Paul Armin Edelmann, Artur Stefanowicz, Thomas Lind, Waldemar Kmentt, Thaddaus Podgorski, Franz Jirsa, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | F Major | 1 | 7B | 94 BPM | ||
Rákóczy March | Hector Berlioz, Arthur Fiedler | E Major | 3 | 12B | 106 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM |